![]() ![]() The film's urgency is amplified due to the minimal use of varied camera angles and shots. Spotlight poses the challenge to not only appreciate but also understand how critical investigative journalism works, especially nowadays in a society that is rapidly, or even perpetually, adjusting to social media's latest advancements. Social media dominates everybody's menus of communication in today's culture. Ruffalo was even nominated for the Oscar for Best Supporting Actor, but he lost to Mark Rylance who won the coveted golden statue for Bridge of Spies. Reality defines who Spotlight is, not the deceptive convention of going through the motions. Ruffalo easily displays the most frantic energy out of the entire cast. Mark Ruffalo uses Mike Rezendes' uptightness as a strength, emphasizing how he is the most committed member of Spotlight and their meticulous investigations. However, he is not the only actor to give an accurate performance. Michael Keaton appears calm but focused, giving a spot-on portrayal of Walter Robinson's Boston accent without overdoing tone or drawl. ![]() The credibility of this movie's performances is founded in Boston's history. Each personality differentiates the reporting style of each individual writer, which allows us to connect with the characters at a personal level, not just to view them as tools for basic reporting and writing. They appear comfortable and knowledgeable about their environment. The whole cast understands the motives of each character. The core members of Spotlight are the leader of the pack Walter Robinson, played by Michael Keaton the incessant Mike Rezendes, played by Mark Ruffalo the dependable Sacha Pfeiffer, played by Rachel McAdams and the family man Matt Caroll, played by Brian d'Arcy James.īoth the writing and the acting unquestionably personify investigative journalism. Thus, Spotlight begins its rigorous investigation to unveil as many details and statistics as possible about these scandals that have been occurring for several decades. A group of editors and reporters for The Boston Globe, known as Spotlight, learn how pervasive these scandals are when journalist Marty Baron, played by Liev Schreiber, addresses how the public needs to know about this ongoing problem, even if it means that they are technically suing the Catholic Church. Spotlight establishes a sense of urgency, which submerges us into the disturbing, well-kept secrets about sexual abuse in the Catholic diocese of the Boston area. #Spotlife movie movieI was thinking the other day that it will be awards season for the movies before I know it, so it is time to shine a spotlight on one of the most important films of the last 20 years: Spotlight.Ī non-negotiable element of a great movie is establishing the story's tone, for it prepares the audience for what will unfold in the plot. ![]()
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